Sydney, 15 Nov 2016 — 4 Dec 2016

15 Roylston Street [PO Box 282], Paddington 2021

Every One Unique
- Janet Luxton

Janet Luxton’s luscious and detailed paintings are more than realist interpretations of wildlife. At the heart of Luxton’s work is her deep connection with nature and a profound respect for the beings which inhabit the earth. Through devoted attention she extracts the absolute essence of her subject matter, leading the viewer into powerful contemplation of a single subject. Luxton paints with deft technical skill and sensitivity, revealing in her enthralling imagery the unaffected yet utterly magnificent nature of the animal.

“One of the most stark themes of the planet, for thousands of years, has been our relentless exploitation of the natural world, all it’s wildlife has been dramatically impacted. Many species who were familiar to our ancestors have vanished, and huge numbers today are on the brink. Domesticated animals are continuously redesigned and bred by us in unimaginably vast numbers to be used and disposed of at our absolute discretion.

My recent work relates to birds and animals with which I have had a connection, often a fond and personal one. However humble all life is unique and deserves our unreserved respect and their place on the earth. My paintings are an attempt to portray this beautiful diversity and individuality” – Janet Luxton, 2016

Janet Luxton
Sydney based artist Janet Luxton worked as a draftsman and graphic designer in Auckland during …
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In Blog

Janet Luxton – Ravenswood Australian Women’s Art Prize People’s Choice Award Winner

Above image: Janet Luxton On Mount Olympus 2022  oil on Belgian linen  150 x 130 cm Congratulations to Janet Luxton …

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Janet Luxton – ‘Feather and Brush, A History of Australian Bird Art’ by Penny Olsen

Janet Luxton  Orange bellied parrot  2016  oil on linen  120 x 156 cm   Congratulations to artist Janet Luxton who …

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Pippin Drysdale, Jennifer Keeler-Milne, Janet Luxton and Sarah Tomasetti – Finalists in the 2022 Ravenswood Australian Women’s Art Prize.

Sarah Tomasetti  Incoming Snows (Uttarakhand Series)  2022  oil on Roman black fresco plaster  83x150cm   Congratulations to artists Pippin Drysdale, …

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Greg Johns – ‘Work of the Week’ at the New Art Centre, England

Image above: Greg Johns  Transfigure  2006  Corten steel  edition 5  240 x 57 x 40 cm Sculptor, Greg Johns’ work, …

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Raymond Arnold – Finalist in the 2022 John Leslie Art Prize

Image above: Raymond Arnold  To see the bones and the tombstone at once / Huon pine  2022  oil on canvas  …

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Sue Anderson, Ron Robertson-Swann and Ayako Saito – 2022 Deakin University Small Sculpture Award Finalists

Image above: Ayako Saito  Artemis Bow  2021  steel, painted  29 x 51 x 37 cm Congratulations to Sue Anderson, Ron …

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Martin King – Waterhouse Natural Science Art Prize touring exhibition

Image above: Martin King  tree of life, unsuccessful species  2021  etching, dry point, chine colle and hand colouring  edition 3  168 …

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Graeme Peebles – Groep van Roey Print Commission

Image above: The two intaglio plates Graeme has been working on for the print commission Congratulations to Graeme Peebles who …

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Mary Tonkin – Winner of the 2022 Salon des Refusés People’s Choice Award

Image above: Mary Tonkin  Hot Kiss, Kalorama  2021  oil on linen  183 x 214 cm Congratulations to Mary Tonkin who …

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Peter Wegner – Feature in ABC News

Above Image: Peter Wegner (right) pictured with subject Sylvia Drager (centre) at Benalla Art Gallery  2022   Peter Wegner continues …

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William Kentridge in Artist Profile

Image above: Mechanic 2021  mohair tapestry in collaboration with Marguerite Stephens  edition 1/6  261 x 281 cm We are delighted to …

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Wayne Viney – ‘Into a new landscape’ – IMPRINT Magazine

Image above: Wayne Viney  Little Horn, Cradle Mountain  2021  monotype  unique  17.5 x 27.5 cm Wayne Viney Landscapes Tasmania  2- …

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Glenn Morgan and Terry Matassoni in North West City News

Terry Matassoni  Neighbourhood  2022  oil on linen 122 x 168 cm Terry Matassoni’s recent exhibition Neighbourhood and Beyond Glenn Morgan’s exhibition …

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