“Seen from a distance, Orest Keywan’s sculptures can project a reasonably clear image, but from closer range, the ambiguity and equivocalness of his formal language becomes more pronounced. At close quarters we tend to see each work as singular and plural, fragmentary and whole, complete and lacking intensive and dispersed. Often his sculptures tend to form a kind of linear open work – a speculative, wandering, acrobatic kind of “drawing in space”.”
– Terence Maloon, scholar, author, curator, and art critic.
Opened by
Dr Michael Hill, Head of Art History & Theory, National Art School
at 6:30pm
