Artist Talk 2pm Saturday 1 October 2022′
‘There is nothing of the void about this magnificence. Instead this space, inside this cosmic envelope is everywhere vectored, scored by ordinate and abscissa, marking out the numberless sites of an always potential Pragnanz. (German for Good Figure). For form is possible everywhere. Rosalind Krauss ‘The Optical Unconscious’ pp 186
I’ve been living across the Mt Arrowsmith divide in Western Tasmania for many years and within that cosmic envelope.
In my eighth decade the void looms but for now form is possible everywhere.
My ‘Elsewhere World’ etchings have also been in development for some time and they have ‘shape-shifted’ from an initial small plein air fragment of a rocky landscape on the slopes of Mount Lyell to a large panoramic image involving a swathe of sooty blacks and glacial whites. From a depiction of random/‘erratic’ forms to a flow of mining impacts across rocky terrain. The prints mirroring the landscape’s bones i.e. the rock and the tree stumps exposed as textural elements by the ‘sgraffito’ of etched line. It’s my etching ‘swansong’.
Other components of this exhibition, including the assemblage of paintings under the collective title of The Road to Other, pick up on another cavalcade of portentous sites along the road axis into the trashed valleys of the West Coast Range watershed. Initially glimpsed in the final moments of a long journey in a type of trance, with my feelings amplified by dazzling afternoon light, the works are developed ‘plein air’ encounters and studio follow ups rendering the graphic ossuary.’ – Raymond Arnold, 2022
Image above: Raymond Arnold Congratulations to Raymond Arnold, who has been Highly Commended in the 2024 Glover Prize, and to …
Raymond Arnold Pigment equals Mass – Abandoned Targa viewing platform, Queenstown Hills. The Datsun driver had thirty five minutes to …
Image above: Road to Other – Western Mountains oil on canvas diptych 116 x 157 cm. Congratulations to Raymond Arnold …
Image above: Deborah Williams The air smells different 2023 aquatint intalgio 53×39.5cm Congratulations to Deborah Williams, Martin King and Phillip …
Image above: Salvatore Zofrea Catching fire-flies in summer from the series Appassionata: one hundred woodcuts no.15. 1994–1999 Jelutong woodblock 40 …
Image above: Collection in focus exhibition image from Golburn Regional Gallery Collection in focus: Golburn Regional Gallery 5 July — …
Above image details: Jenny Rodgerson Mum’s orange cardigan 2024 oil on linen 60 x 40 cm Congratulations to Jenny Rodgerson and …
Image above: Sarah Tomasetti From Balpatta X 2024 145 x 150 cm pigment oil and marble dust on fresco Congratulations to Holly …
Image above (left to right): Graeme Drendel Portrait of Rick 2024 oil on canvas 41 x 31 cm | Michelle Hiscock …
Image above: Janet Luxton Giant Australian Cuttlefish 2021 oil on canvas 120x160cm Congratulations to Janet Luxton who has had two …
Above image: Wayne Eager, Allegory I 2023 oil on linen 95 x 133 cm Wayne Eager was interviewed by Janet …
Image above: Marina Strocchi The vineyards of Madden’s Lane 2023 acrylic on linen 122 x 152 cm Congratulations to Kate …
Congratulations to Jennifer Keeler – Milne for being selected as a finalist in the Ravenswood Art Prize 2024 for her …