Jazmina Cininas

Jazmina Cininas is a Melbourne-based artist who lectures in printmaking and artists’ books at RMIT School of Art. For over two decades, Cininas has been charting the various incarnations of the female werewolf as a vehicle for her printmaking practice, completing her PhD research project, ‘The Girlie Werewolf Hall of Fame: historical and contemporary figurations of the female lycanthrope’ in 2014.

Since completing her MA in 2002, Cininas has exhibited her ongoing Girlie Werewolf Project throughout Australia and the Baltic States, and has also presented papers on printmaking and female werewolves nationally and at international conferences in Philadelphia, Budapest, Oxford, Manchester and Estonia.

Her artwork is in many public collections, including the National Gallery of Australia, National Gallery of Victoria, the Victorian Arts Centre, Broken Hill Regional Gallery and the Alice Springs Art Foundation. Her curatorial projects include Enchanted Forest: New Gothic Storytellers, which toured to significant regional galleries throughout Victoria and NSW between 2008-2009, and founding the RMIT Printmaking Summer Residency in 2004. Residencies include Fremantle Arts Centre, the Art Vault and Tartu Artist in Residence at the Estonian Printing Museum.

While best known for her technically demanding reduction linocuts, recent developments in Cininas’ practice include a series of artists’ books from recycled materials signalling a conscious decision to engage with a more sustainable art practice through the use of recycled materials.

Performance also forms part of her repertoire, as vocalist and lyricist for the printmaking band, the Press Gang.

PAST EXHIBITIONS

2023

2019

In Blog

Jazmina Cininas – Interview with ArtsHub

Image above: Autumn grouping featuring (left to right): Stumbras (Bison), Kurtinys (Woodgrouse); Barsukas (Badger); Rudens Žvirblis (Autumn Sparrow); Šernas (Boar); and Lokis (Bear). Photographed by …

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Jazmina Cininas – ‘The Sparrow and the Iron Wolf’ at Albury Library Museum

Image above: Autumn grouping featuring (left to right): Stumbras (Bison), Kurtinys (Woodgrouse); Barsukas (Badger); Rudens Žvirblis (Autumn Sparrow); Šernas (Boar); …

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Jazmina Cininas – Acquisition by Museums Victoria

Image above: Jazmina Cininas  Vilkas (Wolf)  lagerphone (2013) and stand (2021)  salvaged timber, used bottle caps, nails, rubber stopper  143 …

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Wayne Eager – Interview in Studio National

Above image: Wayne Eager, Allegory I  2023 oil on linen 95 x 133 cm Wayne Eager was interviewed by Janet …

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Omina Art Prize Finalists – Kate Hudson, Martin King, Robin Stewart and Marina Strocchi

Image above: Marina Strocchi The vineyards of Madden’s Lane 2023 acrylic on linen 122 x 152 cm Congratulations to Kate …

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Jennifer Keeler-Milne – Ravenswood Art Prize Finalist

Congratulations to Jennifer Keeler – Milne for being selected as a finalist in the Ravenswood Art Prize 2024 for her …

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Introducing the Sydney Stock Rooms

Australian Galleries is thrilled to introduce our most recent gallery space ~ the Sydney Stock Rooms. Located directly opposite our …

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Jimmy Rix interview for Sculpture by the Sea, Cottesloe 2024

In a fascinating artist interview for Sculpture by the Sea,  Jimmy Rix shares insights into the themes which inspired his …

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Julian Twigg ‘Long Haul’ – short film and interview by Peter Lamont

Portrait of Julian Twigg by Peter Lamont Filmmaker Peter Lamont of Handmade Films has created a wonderful short film on …

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Congratulations Martin King – Finalist in The Alice Prize

Martin King  ledger of the lost years ‘24 and ‘25′  N.D  graphite, watercolour and gouache on drafting film and paper  …

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Dianne Fogwell – ‘Prescience’ Exhibition at Geelong Gallery

Image above: Dianne Fogwell  Prescience  2023  linocut and woodcut  4,500 x 145 cm  – installation at Geelong Gallery Congratulations to …

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Raymond Arnold Highly Commended & Rodney Pople a Finalist in the 2024 Glover Prize

Image above: Raymond Arnold Congratulations to Raymond Arnold, who has been Highly Commended in the 2024 Glover Prize, and to …

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The 2024 Palmer Sculpture Biennial

Image above: Greg Johns  The Kiss (Buried Alive)  2022-23  Corten steel  140 x 486 x 18cm “Congratulations to Greg Johns …

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