Michelle Hiscock and Jenny Rodgerson – Finalists in the 2023 Portia Geach Memorial Award

Image: Jenny Rodgerson  Self portrait with mudras  2023  oil on linen  165 x 107 cm

Congratulations to Michelle Hiscock and Jenny Rodgerson, who have been selected as a finalists in the 2023 Portia Geach Memorial Award.

Michelle Hiscock  The Listener (Christopher Lawrence, broadcaster musician and conductor)  oil on paper  29.5 x2 5.2cm


The Portia Geach Memorial Award is Australia’s most prestigious art prize for portraiture by women artists. The Award was established by the will of the late Florence Kate Geach in memory of her sister, Portia Geach. The non-acquisitive prize is awarded by the Trustee for the entry which is of the highest artistic merit, ‘…for the best portrait painted from life of some man or woman distinguished in Art, Letters, or the Sciences by after any female resident who was born in Australia or was British born or has become a naturalised Australian and whose place of domicile is Australia’.

The exhibition of finalists is now showing at the S.H Ervin Gallery, Sydney until 17 December 2023

Visit our online stock rooms to view available paintings and works on paper by Michelle Hiscock and Jenny Rodgerson

Paul S. Miller – Commended in FLOW Contemporary Watercolour Prize

Image above: Paul S. Miller Near the Cascades 2023 watercolour on paper 94 x 124 cm

Congratulations to Paul S. Miller who has been commended for his work Near the Cascades in the 2023 FLOW Contemporary Watercolour Prize at Wollongong Art Gallery.

Congratulations also to Danielle Creenaune, Michelle Hiscock and Stephanie Monteith who were selected as finalists and whose works are now exhibited along with Paul S. Miller’s in the FLOW Art Prize Exhibition.

Above: Danielle Creenaune  Veil Song 4  watercolour on paper

Above: Michelle Hiscock   After the fire and flooding rains came new life  2022  watercolour and gouache on paper  42 x 89 cm



Above: Stephanie Monteith Drawing 2021  watercolour, acrylic and pencil on paper  100 x 75.5 cm

This National Contemporary Watercolour Prize is a biennial competition open to artists from around Australia. The prize aims to encourage innovation and experimentation in watercolour painting, including works on paper in watercolour, acrylic, gouache, pen and ink, and watercolour mixed media. ​​

Exhibition on view until 17 March 2024
Visit Wollongong Art Gallery for more information.

Archibald, Wynne and Sulman Prize Finalists announced

Lewis Miller  Self Portrait  2023  oil on linen  25.5 x 20.4 cm


Congratulations to Lewis Miller and Michelle Hiscock who have been selected as finalists in the 2023 Archibald Prize, Pippin Drysdale and Michael Snape who are finalists in the Wynne Prize and Glenn Morgan, finalist in the Sulman Prize at the Art Gallery of NSW.

The Archibald Prize for portrait painting is the country’s favourite and most significant art award. Since 1921, it has highlighted figures from all walks of life, from famous faces to local heroes, reflecting back to us the stories of our times. The Wynne Prize is awarded to the best landscape painting of Australian scenery, or figure sculpture, while the Sulman Prize is given to the best subject painting, genre painting or mural project in oil, acrylic, watercolour or mixed media. Each year, the trustees of the Art Gallery of NSW judge the Archibald and Wynne, and invite an artist to judge the Sulman.

Click here to read more about the exhibition and to plan your visit to the Archibald, Wynne and Sulman Prizes.

Winners announced:
5 May 2023

Exhibition dates:
6 May – 3 September 2023
Art Gallery of NSW


Archibald Prize Finalists



Michelle Hiscock  The songwriter  2023 oil on paper  38 x 29.4 cm

Sydney-based artist Michelle Hiscock has lived in France and Japan, and is most known for her detailed, refined landscapes. For this portrait, she chose a subject closer to home, painting musician Don Walker, a songwriter and founding member of legendary Australian rock band Cold Chisel.

‘I like to work from life, so I’m always on the lookout for interesting people who live nearby in the hope of more frequent sittings. I’d often seen Don coming and going from his terrace at the top of my street, and so many of his songs are set in Kings Cross, near my studio,’ says Hiscock, a first-time Archibald finalist.

‘When you paint people who are good at their craft, you also learn about your own. There’s pathos and humanity in Don’s songwriting, light and shade, realism and poetry: the same qualities that give truth to painting.

‘I knew he’d be hard to catch in the lead-up to the launch of his new solo album, so as soon as he arrived for a sitting, I launched into the portrait.

‘We talked about painting and writing. Each word in a song needs to evoke a world of sensations, feeling and experience; in a portrait, each stroke seeks to build a likeness, but also to suggest the boundless world within.’

Lewis Miller  Self Portrait  2023  oil on linen  25.5 x 20.4 cm

‘At least once a year, I will have a go at a self-portrait, like many painters I know,’ says Melbourne-based artist Lewis Miller. ‘This small one seemed to come out all right, so I decided to enter it in this year’s Archibald Prize.’

Making his debut in 1990, Miller has exhibited in the Archibald on 19 occasions. His own face has appeared in six of those paintings from 2000 until now, including in a portrait with artist Allan Mitelman in 2007, so regular visitors to the Archibald will have watched Miller aging gracefully over the years.

In 1998, Lewis won the Archibald with a portrait of Mitelman, and in 2000 he took home the Sporting Portrait Prize – held in conjunction with the Archibald – with a portrait of Aussie Rules legend Ron Barassi.

Wynne Prize Finalists

Pippin Drysdale  Wolfe Creek Crater installation  porcelain  17 parts  dimensions variable

The grandeur of remote Western Australia has been a source of inspiration to Pippin Drysdale for decades. In her recent work, her attention has shifted from the vastness of land, water and sky to the subtleties of nature’s small and wonderful details.

Drysdale was drawn to interpret Wolfe Creek Crater, or Kandimalal to the Jaru people, for its ecosystem, which has evolved over 120,000 years since the moment of meteorite impact. Containing seasonal water, the rocky crater is a habitat for precious wildlife, which Drysdale distils in her abstract sculptural forms.

‘Working collaboratively with my dear friend and thrower, Warrick Palmateer, I turned to my memories of Wolfe Creek,’ says the first-time Wynne finalist. ‘Within the crater are brown ringtail dragons, whose colours can range from orange to pale beige with yellow on the underbelly, and butterflies such as the Glasswing or Spotted Dusky Blue, with their fluttering, glistening wings. The elusive Major Mitchell cockatoos are residents of the crater and are a stunning sight in flight against a backdrop of red rocks and blue skies. All in all, it is a raw and rugged environment.’


Michael Snape  The Voice  2023  hardwood  206 x 130 x 52.5 cm

The Voice to Parliament proposes an independent, representative advisory body for First Nations people to the Australian parliament and government. Michael Snape, a second-time finalist in the Wynne, addresses the Voice in this work.

This is the sound of the Voice that has been speaking to me for nearly 250 years, nearly a quarter of a millennium.

I have been reluctant to listen, distracted by the task of finding myself in this place.

I have been reluctant to hear the Voice even while all that time the Voice was speaking, singing, waiting for me to hear it.

The Voice doesn’t shout. It draws you in, and, as you listen to it, you find yourself more at home. You may have run here, but from this place you will not need to run away.

This work is the shape of my listening.

– Michael Snape, 2023


Sir John Sulman Prize Finalist

Glenn Morgan Archie Roach honoured with ‘journey home’  2023  acrylic on board  50.3 x 122.1 cm

I was very saddened by the passing of the late, great Archie Roach in July 2022. I first heard Archie on his album Charcoal Lane (1990). The song ‘Took the children away’ would always make me tear up, and still does. It’s so sad and moving. As Archie’s career grew, he became a great educator through his songs and gentle storytelling. I had the privilege of seeing him perform on a number of occasions.

This painting is about how Archie was honoured by people standing on the highway in the cold and rain to pay their respects as his hearse was driven from Melbourne to Warrnambool, in Gunditjmara Country, for a private funeral on 22 August 2022. I would like to thank the Roach family for allowing me to enter this work into the Sulman Prize.

Glenn Morgan, 2023

The family of Archie Roach have kindly given permission for his name and image to be referenced in this artwork and displayed within this exhibition.



Michelle Hiscock and Jenny Rodgerson – Finalists in the Portia Geach Memorial Award

Images above: Jenny Rodgerson  Tangled – Self Portrait  oil on linen  62 x 72 cm; and Michelle Hiscock  Sister of the Brush No.1 (Stephanie Monteith, artist)  oil on canvas  50 x 40 cm.


Congratulations to Michelle Hiscock and Jenny Rodgerson who have been selected as finalists in the 2022 Portia Geach Memorial Award. Michelle has presented a beautiful portrait of fellow painter Stephanie Monteith, while Jenny offers a dynamic and highly engaging self portrait.

First awarded in 1965, the Portia Geach Memorial Award was established by Florence Kate Geach in memory of her sister, artist Portia Geach. As per the direction of the will, the Award is annually presented to an Australian female artist for the best portrait painted from life of a man or woman distinguished in art, letters or the sciences. Geach was widely acclaimed as a leading artist and was a frequent commentator in the national media – making her an iconic figure in the Australian arts community. The $30,000 non-acquisitive Portia Geach Memorial Award is given by Perpetual as trustee, to the entry with the highest artistic merit.

Michelle Hiscock  Sister of the Brush No.1 (Stephanie Monteith, artist)  2022  oil on canvas  59 x 40 cm.

“It seems natural to feel a kinship with fellow women painters, especially those who share the commitment to balance their creative work with motherhood and other caring roles. The challenges promote empathy rather than rivalry and we feel encouraged by each other’s success. This is the first of a series of portraits celebrating these sisters of the brush.” – Michelle Hiscock, artist statement.

Jenny Rodgerson  Tangled – Self Portrait  oil on linen  72 x 62 cm.



The winner will be announced on Thursday 15 September 2022.


Portia Geach Memorial Award
S.H. Ervin Gallery
2 Watson Rd, Millers Point NSW 2000
16 September – 6 November 2022


2022 Salon des Refusés – Selection announced

Congratulations to Graeme Drendel, Michelle Hiscock, Martin King, Glenn Morgan, Mary Tonkin and Christine Wrest-Smith who are included in the 2022 Salon des Refusés – the alternative Archibald and Wynne Prize Selection.

In 1992, as a response to the overwhelming number of entries to the Archibald and Wynne Prize’s that were not selected for display, S H Ervin Gallery initiated The Salon des Refusés.

Since its launch the alternative display has gained momentum on par with The Archibald Prize and is fast becoming one of the most anticipated art prizes in the Sydney scene.

The Salon des Refusés exhibition at the S.H. Ervin Gallery has established an excellent reputation that rivals the selections in the ‘official’ exhibition, with works selected for quality, diversity, humour and experimentation, and which examine contemporary art practices, different approaches to portraiture and responses to the landscape.

In 2022, 55 works have been selected for the ‘alternative’ exhibition, with 38 from the Archibald Prize 17 from the Wynne Prize by selectors Kon Gouriotiseditor Artist Profile magazine; Michael Hedger, director, Manly Art Gallery & Museum  & Jane Watters, director, S.H. Ervin Gallery. 

2022 Salon des Refusés

S H Ervin Gallery

May 14 – July 24

For more information and to see the complete list of selected artists click here.


Graeme Drendel  The Gardener- Portrait of Wendy (Wendy Horsburgh)  oil on canvas  26 x 31 cm 



Michelle Hiscock  The Critic in Lockdown (Christopher Allen, art critic) oil on canvas 50 x 40 cm 


Glenn Morgan  Stuart @ Australian Galleries (Stuart Purves, gallerist)  acrylic on board 98 x 74 cm 



Christine Wrest-Smith  Self Portrait black t-Shirt   oil on linen   91 x 71 cm 




Martin King  the moment between sleeping and waking, double cross in the cosmos watercolour, pastel and oilstick on drafting film and paper  120 x 258 cm 



Mary Tonkin  Hot kiss, Kalorama  oil on linen 183 x 213 cm