John Wolseley

b. 1938

Since moving to Australia in 1978, John Wolseley has immersed himself in the landscape, an approach which has given rise to a variety of different ways of collaborating with the land itself. His large scale works on paper, watercolours and installations are often based around scientific themes.

In the 1980s and 1990 his practice often included juxtaposing images of deep geological time with the shallow time of the present. This included the rising of the seas on the Kimberley coast, movement of sand dunes in the Simpson Desert and even the migration of the tectonic plates which once held the ancient continent of Gondwana together. This work was acknowledged in numerous exhibitions, grants and commissions. Including in 1996 the publication of a scholarly monograph by Sasha Grishin, John Wolseley: Landmarks (reprinted 2015) an Honorary degree of Doctor of Science (2005, Macquarie University) and the awarding of the Australian Council Visual Arts Emeritus Award (2005). In these years he developed the ability to see and paint the underlying forces which have shaped a particular landscape. Wolseley’s interest in flood plains was consolidated in the period from 2011-15 which he spent tracing water systems all over Australia for the commissioned project Heartlands and Headwaters: John Wolseley (NGV, 2016).

Over the last ten years Wolseley has also collaborated with the great Yolŋu artist Mulkuṉ Wirrpanda in a project to draw attention to the food plants which once kept her community healthy but which are now being replaced with European ‘junk’ food. (Midawarr/Harvest: The Art of Mulkuṉ Wirrpanda and John Wolseley, National Museum of Australia 2017) His exposure to her deep knowledge of every aspect of the great floodplain on which she lived influenced his ideas about how important it is to understand the flows of water, energy, wind, animals and plants if one has any hope of providing stewardship for the land. In the paintings which Wolseley produced under Mulkuṉ’s influence he was trying to show how a tropical river ecosystem can be painted as a kind of microcosm of our earth. A map of the dynamic systems of earth air and water which enfolds the lives of plants, insects and fish.

In recent years John Wolseley has regularly visited farming properties along the upper Murray and in the region around Albury. Here he discovered that both artists and farmers need to be attuned to the ways in which the land acts as a self-regulating system comprised of physical chemical, biological and human components all of which are delicately balanced and complex. Earth canvas was a pioneering project that coupled six well established artists with a number of regenerative farmers situated between the Murray and Murrumbidgee rivers. The work generated during this time toured to a number of regional galleries and then to the National Museum in Canberra in 2022.
17 November 2022

Since 2019 Wolseley has continued following creeks and rivers to the west of his home in the Whipstick Forest – travelling down the Banyena/Richardson and the Kurakibiyal/Avon rivers.





In Blog

John Wolseley – at Castlemaine State Festival

Essays on Earth  installation image. John Wolseley presents a collaborative multichannel video installation, Essays on Earth, with artist Brodie Ellis …

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John Wolseley – Feature in Artist Profile

Preeminent landscape painter and printmaker John Wolseley has been interviewed in his studio by Elli Walsh and published in Artist …

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Online Art Auction Fundraiser for the Victorian Forest Alliance – Sue Anderson, John Wolseley and Christine Wrest-Smith

Image above: Sue Anderson  Tree-top Rosellas  2018  lithograph  edition 15  60 x 46 cm Members of the Victorian Forest Alliance, …

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Salvatore Zofrea – In Collaboration with 3:33 Art Projects

Image above:  Days of Summer  2008-23  hand-coloured woodcut with lapis lazuli on paper  edition unique  44 x 59 cm “…I was …

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Simon Normand – Commissioned to paint map of Roper River

In the Arnhem Land community of Ngukurr, elder Clarry Rogers is worried plans to allocate water to new gas fracking and …

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Marina Strocchi’s Paintings and Prints at the Melbourne Italian Festa

This beautiful painting from Marina Strocchi‘s current exhibition, The vineyards of Madden’s Lane was one of a selection of the …

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Vicki Varvaressos – currently exhibited at the Art Gallery of New South Wales

Image above: Still Life: West Australian gum blossoms  1985  synthetic polymer paint on hardboard  122.7 x 91.5 cm Vicki Varvaressos, …

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John Wolseley in ‘Essays on Earth’ Exhibition – Bendigo Art Gallery

John Wolseley  The life of inland waters – Durabudboi river  (detail) 2015 – 2018 watercolour, graphite and woodcut on paper …

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Whereabouts: Printmakers Respond – Group Exhibition Curated by Rona Green

Image above: Rona Green  Petal  2023  hand coloured linocut  edition 57   38 x 28 cm Photography by Tim Gresham Printmaker …

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Vale Kevin Mortensen (1939-2023)

Image above: Kevin Mortensen and Stuart Purves at Australian Galleries Melbourne, 2016 All at Australian Galleries are deeply saddened to …

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The Victorian Forest Alliance Art Auction

Image above: Sue Anderson  Swift  2022  multi coloured lithograph  edition 12, 59 x 42cm  unframed The Victorian Forest Alliance recently held …

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Camie Lyons – Trenery Artist Series

Congratulations to Camie Lyons on her latest commission of sculptures and works on paper for the Trenery flagship store in …

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Michelle Hiscock and Jenny Rodgerson – Finalists in the 2023 Portia Geach Memorial Award

Image: Jenny Rodgerson  Self portrait with mudras  2023  oil on linen  165 x 107 cm Congratulations to Michelle Hiscock and …

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