Sarah Tomasetti is highly regarded for her luminous fresco paintings and installations. She has gained substantial knowledge and training in the traditional methods of fresco, using materials that have been employed since antiquity. The fresco surfaces that form the basis of her work are made on a wall constructed from lime putty mortar and then detached by means of a cloth embedded early in the process. Landscape images are then brushed drawn and incised, tracings of stone into a surface itself returning to stone. Detachment and the addition of staining and encaustic wax reveal the internal structure of the fresco skin, thus embedding a sensed fragility in the substrate of the work. These landscapes seek to explore our shifting relationship with the natural world in an atmosphere of contemporary unease.
Sarah Tomasetti graduated from RMIT University and La Trobe University, Melbourne with graduate diplomas in Fine Art and Italian Studies in 1994. After graduating, Sarah undertook an internship in fresco painting at the Laboratorio per Affresco di Vainella in Italy and, on returning to Australia, completed a Masters in Fine Art at RMIT University. She has undertaken further residencies in China, Fiji, Italy and the USA and has numerous solo and group exhibitions to her name. Winner of the acquisitive John Leslie Art Prize at the Gippsland Art Gallery in 2020, Sarah also has work represented in a number of private and public collections including Artbank, Macquarie Bank, BHP Billiton, National Australia Bank and Grafton, Tamworth and Muswellbrook Regional Galleries.
Sarah is a lecturer in Fine Art at RMIT University and has recently completed a doctoral project entitled Mnemonic Mountain, looking at the way the mountain imaginary co-creates the way remote regions are traversed and depicted. In response she developed the fresco skin as a fluid sculptural form responsive to cycles of land formation and disintegration.
PAST EXHIBITIONS
To check artwork availability for 2018 exhibition please contact our Melbourne gallery
Image above: Sarah Tomasetti From Balpatta X 2024 145 x 150 cm pigment oil and marble dust on fresco Congratulations to Holly …
Sarah Tomasetti Incoming Snows (Uttarakhand Series) 2022 oil on Roman black fresco plaster 83x150cm Congratulations to artists Pippin Drysdale, …
Image: Sarah Tomasetti From Balpatta IV 2021 oil and incision on fresco plaster with muslin, mounted on stretched canvas 145 …
Image above: Orest Keywan That Line 2023 steel 168 x 271 x 190cm Congratulations to Orest Keywan, Michael Snape and …
Image above: Andrew Antoniou Weird & Wonderful 2024 charcoal on paper 82 x 88 cm Congratulations to Andrew Antoniou who …
Image above: Christine Wrest-Smith Portrait of Susan Johnson oil on linen 122 x 92cm Congratulations to Christine Wrest-Smith who has been …
Image above: Deborah Williams The air smells different 2023 aquatint intalgio 53×39.5cm Congratulations to Deborah Williams, Martin King and Phillip …
Above image details: Jenny Rodgerson Mum’s orange cardigan 2024 oil on linen 60 x 40 cm Congratulations to Jenny Rodgerson and …
Image above (left to right): Graeme Drendel Portrait of Rick 2024 oil on canvas 41 x 31 cm | Michelle Hiscock …
Image above: Janet Luxton Giant Australian Cuttlefish 2021 oil on canvas 120x160cm Congratulations to Janet Luxton who has had two …
Above image: Wayne Eager, Allegory I 2023 oil on linen 95 x 133 cm Wayne Eager was interviewed by Janet …
Image above: Marina Strocchi The vineyards of Madden’s Lane 2023 acrylic on linen 122 x 152 cm Congratulations to Kate …
Congratulations to Jennifer Keeler – Milne for being selected as a finalist in the Ravenswood Art Prize 2024 for her …