Melbourne, 30 May 2023 — 17 Jun 2023

28 Derby Street [PO Box 1183], Collingwood 3066

Mao, Mengele and Martina Navratilova
- Cameron Hayes

‘People love to say “so and so changed world history” as if to say if Gutenberg wasn’t born then we would still be buying handwritten newspapers, or if it wasn’t for Billie Jean King women tennis players would still be playing tennis in wedding dresses. People like the comedy/tragedy that we can solve systematic problems with biographical solutions. We like to think the big systems which dictate our lives like time, other people, attraction, government, the market etc, can be altered by the type of person we are and the way we behave in our lives – our biography.

We choose, or rather we create historical figures who perform the impossibility of pitting their biography against the system. We find comforting those historical figures whose mistakes (death) were to us foreseeable and so to us avoidable.

A story about someone you know is more interesting than about someone you don’t. By using historical figures in a painting there is already a platform of familiarity to start from. Historical figures in art function the same way biblical figures in religious culture do, Greek gods in literature do, and totems in indigenous art do, they can be used as surrogates to criticise contemporary behaviour while offering contemporary people the comfort of plausible deniability. History painting feels like gossip because it has the accessibility of a moral pantomime where no-one feels judged and everyone can judge.’ – Cameron Hayes, 2023

ARTISTS TALK – Saturday 3 June 2pm

Cameron Hayes
Densely layered, monumental paintings reveal recurring themes within Cameron Hayes’ oeuvre drawn from unabashed, uncomfortable …
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In Blog

Cameron Hayes – Artist Profile

Image above: Cameron Hayes  In the South Pole the explorers were so afraid of not having enough food for winter …

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Cameron Hayes’ Paintings Speak of Human Frailty and Insecurity

Image above: Cameron Hayes  She died in the child welfare tribunal, he died in an adult bookshop  2020-21  oil on …

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Cameron Hayes – Blake Prize 2021

Image above: Cameron Hayes  Angry angels help Adam with the first dictionary  2020  oil on canvas  198 x 254 cm …

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Congratulations Martin King – Finalist in The Alice Prize

Martin King  ledger of the lost years ‘24 and ‘25′  N.D  graphite, watercolour and gouache on drafting film and paper  …

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Dianne Fogwell – ‘Prescience’ Exhibition at Geelong Gallery

Image above: Dianne Fogwell  Prescience  2023  linocut and woodcut  4,500 x 145 cm  – installation at Geelong Gallery Congratulations to …

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Raymond Arnold Highly Commended & Rodney Pople a Finalist in the 2024 Glover Prize

Image above: Raymond Arnold Congratulations to Raymond Arnold, who has been Highly Commended in the 2024 Glover Prize, and to …

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The 2024 Palmer Sculpture Biennial

Image above: Greg Johns  The Kiss (Buried Alive)  2022-23  Corten steel  140 x 486 x 18cm “Congratulations to Greg Johns …

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Gallery News – When one door closes, another one opens…

The three adjoining properties which comprise the Australian Galleries Sculpture Park in Porcupine Ridge are now on the market. The …

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Marina Strocchi – Featured in The Art of Healing magazine

Image above: Marina Strocchi  Dusk in the Hills  2023  acrylic on linen  60 x 93 cm Marina Strocchi’s insightful writing …

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Sculpture by the Sea, Cottesloe 2024

Image above: Greg Johns  Sit Down Fella (Contemplative)  2023  Corten steel and bronze  260 cm high To view a selection …

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Barbie Kjar – Winner of the 2024 Adelaide Perry Prize for Drawing

Image above: Barbie Kjar and her winning work No Expectations  2024 Photograph by Louisa Chircop Congratulations to Barbie Kjar, Winner …

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David Frazer ‘All That You’ve Loved’ Exhibition at Trinity College

‘David Frazer is primarily a graphic artist, a printmaker, who in his work creates a little microcosm, or a convincing …

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Simon Normand – Exhibition Reviews and Interviews – The Age, ABC Radio & Nikkei Asia

Image above: Simon Normand  Map – Australia  2023  acrylic on canvas and mixed media  145 x 170 cm  Simon Normand’s …

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